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About Deviant Shaun FlahertyUnited States Group :iconamalgham: Amalgham
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Deviant for 9 Years
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Literature
LAST STRAW
Panel 1.  Inside the Ark, headquarters of the Autobots.  In the background, Optimus Prime appears on the large, central view screen.  Smokescreen stands in front of the view screen with his head turned toward Huffer.  In the foreground, Huffer sneaks away from the view screen and toward us in an effort not to be seen by Optimus Prime.
OPTIMUS PRIME:
-- and take Huffer with you.
Panel 2.  Smokescreen holds up a mirror.  In the mirror, Huffer’s face is reflected.  Huffer has been "repainted" to look like the Stunticon, Motormaster; Smokescreen has been "repainted" to look like the Stunticon, Dead End.  Huffer’s expression is one of angered disbelief.
CAP:
Monday:
HUFFER:
Somehow, I don't think this is what Optimus had in mind.
SMOKESCREEN:
Relax -- it's gonna be fine.
Panel 3.  Huffer, followed by Smokescreen, falls toward us from a great height.  Huffer screams with terror; Smokescreen, less so.
CAP:
Tuesday:
HUFFER:
AAAAAHHH
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Literature
COMPLIANCE OR DEFIANCE
Panel 1.  Orion Pax pushes a hovering pallet of energon cubes down a corridor.
NO DIALOGUE
Panel 2.  Orion Pax stands in an open doorway.  Light from the corridor behind him spills into the dimly lit room.
ORION PAX:
Lord Megatron?
ORION PAX (continued):
Delivery, sir.
MEGATRON (OP):
Orion Pax.
MEGATRON (continued):
My hero.
Panel 3.  In the center of the panel, we see Megatron from behind; his hands are clasped behind his back.  He looks through a floor-to-ceiling window that takes up the entire wall.  Lush, purple curtains adorn either side.  Through the window, we see Cybertron in a golden age -- a skyline of pristine structures, banners bearing the Decepticon insignia, et cetera.
ORION PAX (OP):
Sir?
ORION PAX (continued):
You remember me?
MEGATRON:
Of course.
MEGATRON (continued):
The day we met, you chose the lives of your friends over the energon you were charged with protecting.
MEGATRON (continued):
Your choice allowed me to have all of this.
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Literature
STORYTELLING
Panel 1.  "Cold As Ice" Blitzwing sits surrounded by a group of Children -- some stand, some kneel, some sit cross-legged, some sit on his lap, but all are recognizable faces from ANIMATED.
BLITZWING:
Come, my little human protoforms -- attend your Uncle Blitzving und he'll veave you a tale...
Panel 2.  An illustration befitting "Cold As Ice" Blitzwing’s personality.  In the foreground, legions of Decepticons march in formation.  In the background, Megatron stands powerfully.  The image is cold and gray with clean lines and angles.  In a corner of the panel, "Cold As Ice" Blitzwing’s head "floats", narrating.
CAP/BLITZWING:
"A brilliant military strategist und tactician, Megatron raised a mighty army to topple ze oppressive Autobot empire.
Panel 3.  An illustration befitting "Hot Blooded" Blitzwing’s personality.  In the foreground, Megatron tears an Autobot (or Gobot?) limb from limb.  His eyes are vacant and monstr
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LUNCH-COUNTERLUNCH by JediFlaherty LUNCH-COUNTERLUNCH :iconjediflaherty:JediFlaherty 1 0
Literature
LUNCH-COUNTERLUNCH
Panel 1.  Sari Sumdac exits a Burger Bot fast food restaurant.  She clutches her stomach and exhales a sigh -- she is super-full.  Bumblebee transforms into vehicle mode.  His passenger-side door remains open for Sari.
SARI SUMDAC:
whew
BUMBLEBEE:
Wow, Sari --
SFX:
CH-CH-CHK
BUMBLEBEE:
-- I didn't know humans could consume that much fuel at one time!
Panel 2.  Sari sits in the passenger seat and buckles her safety belt.
SFX:
SLAM
SARI SUMDAC:
Me neither.
SFX:
click
Panel 3.  From the back seat, we see Bumblebee’s console, dashboard, and steering wheel, as well as the back of Sari Sumdac’s head.  The windshield becomes a view screen and a communication from Prowl comes through.  Prowl’s head should be contained within an illuminated rectangle inside the borders of the windshield and a distortion effect would be helpful to indicate a holographic projection.
PROWL:
Bumblebee -- Angry Archer has escaped from police custody.  Yo
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OUT THERE by JediFlaherty OUT THERE :iconjediflaherty:JediFlaherty 3 1
Literature
OUT THERE / MONITOR DUTY
Panel 1.  On the left side of the panel, in the background, Old Autobot sits at a console, monitoring data.  On the right side of the panel, we see a seemingly endless row of smaller consoles stretching into the vanishing point.  An Autobot sits at each console, monitoring data.  A cable comes out of each console and jacks into the left side of each Autobot’s head where the ear would be.  Hot Rod sits at the console closest to us.  He turns his head to look toward us and pulls the cable free from its port in his “ear”.
SFX:
tk
Panel 2.  On the left side of the panel, in the foreground, Hot Rod stands, facing a floor-to-ceiling window.  He rests his hands on the window.  On the right side of the panel, in the background, Old Autobot sits at his console.
NO DIALOGUE
Panel 3.  In the center of the panel, in the foreground, we see Hot Rod through the window from the outside.  He stands, resting his hands on the window
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Literature
OUT THERE / HAPPY BIRTHDAY
Panel 1.  On the left side of the panel, in the background, Old Autobot sits at a console.  On the right side of the panel, we see a seemingly endless row of stasis pods standing vertically, stretching into the vanishing point.  A protoform Autobot rests in each stasis pod.  In the stasis pod closest to us rests Protoform Hot Rod, as indicated by accents to his color scheme and his signature “helmet” shape.  He turns his head to look directly at us.
NO DIALOGUE
Panel 2.  On the left side of the panel, in the foreground, Protoform Hot Rod stands, facing a floor-to-ceiling window.  He rests his hands on the window.  On the right side of the panel, in the background, Old Autobot sits at his console.
NO DIALOGUE
Panel 3.  We see Protoform Hot Rod through the window from the outside.  He stands, resting his hands on the window.  His face tells us that he wants nothing more than to be out there.
NO DIALOGUE
Panel 4.  In the center of the panel, in the foreground, we see Protoform
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NOT THE SAME by JediFlaherty NOT THE SAME :iconjediflaherty:JediFlaherty 9 0
Literature
NOT THE SAME
Panel 1.  In the foreground, Hound stands, in silhouette, facing a large view screen.  In the background, the view screen displays an assortment of Autobots, including Warpath (as seen in Panel 2).
CAP/HOUND:
Warpath...
Panel 2.  Warpath stands powerfully; he is centered and grounded.  Smoke billows as he fires a round from the cannon in his chest.
CAP/HOUND:
He doesn't talk about what happened to him at the Battle of Kaon --
SFX:
BOOM
WARPATH:
BOOM!
Panel 3.  Warpath's point-of-view.  Rumble stands on top of Warpath and smashes him in the face with his right pile driver.
CAP/HOUND:
-- the trauma he suffered --
SFX:
WHAM
Panel 4.  Warpath's point-of-view.  Rumble stands on top of Warpath and smashes him in the face with his left pile driver.
CAP/HOUND:
-- the stress he endured --
SFX:
KLANG
Panel 5.  A close-up of Warpath’s face.  He is broken -- an optic sensor shattered, black mech fluid spilled on the concrete beneath his head.
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Literature
END OF DISCUSSION
Panel 1.  In the foreground, Grimlock walks toward us.  In the background, the other Dynobots stand in a staggered pack with Slag at the front.
CAP:
The Battle of Kaon:
SLAG:
Prime's forces are almost on top of us!
SLAG (continued):
What are you doing?!
GRIMLOCK:
Leaving.
GRIMLOCK (continued):
Didn't sign up for a war.
Panel 2.  A close-up of Slag’s face.  He is angry and disgusted.
SLAG:
Coward.
Panel 3.  Grimlock turns.
NO DIALOGUE
Series of Panels.  Grimlock kicks the asses of the Dynobots.  Fists collide with faces; maybe teeth and optics shatter; kicks to the ribs; et cetera.
SFX (?)
Final Panel.  Grimlock walks away from the defeated Dynobots.
GRIMLOCK:
We're leaving.
GRIMLOCK (continued):
End of discussion.
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Literature
MODES MAKE THE 'BOT
Panel 1.  Wheeljack sits at a console.  Hot Rod stands, arms crossed.  They look up toward a hologram of Hot Rod’s Cybertron vehicle mode (as seen in Escalation).  The hologram is semi-transparent with a glowing effect.
WHEELJACK:
So, I took into consideration all the features you're looking for in a new alt mode --
HOT ROD:
Okay.
Panel 2.  Similar to Panel 1.  Wheeljack and Hot Rod have slightly different body language and facial expressions, reflective of the dialogue.  The hologram has changed to Classic Rodimus’s vehicle mode.
WHEELJACK:
-- and this is what I came up with.
WHEELJACK (continued):
What do you think?
HOT ROD:
It's nice.
HOT ROD (continued):
Don't get me wrong -- I like it.
HOT ROD (continued):
It's nice.
Panel 3.  Similar to Panel 1.  Wheeljack and Hot Rod have slightly different body language and facial expressions, reflective of the dialogue.  The hologram has changed to Energon Rodim
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DANCEFORMERS by JediFlaherty DANCEFORMERS :iconjediflaherty:JediFlaherty 15 2 A DAY IN THE LIFE by JediFlaherty A DAY IN THE LIFE :iconjediflaherty:JediFlaherty 13 3
Literature
A DAY IN THE LIFE
Panel 1.  A close-up of Sam Witwicky.
SAM:
Bumblebee --
Panel 2.  Bumblebee transforms into vehicle mode.
SAM (OP):
-- let's roll.
Panel 3.  A close-up of Bumblebee's tire.  It spins and smokes as he begins to peel out.
NO DIALOGUE
Panel 4.  Bumblebee speeds down a street.  We see him from a dramatic angle.  He looks super-cool and is going super-fast.  His roof is just out of frame.
NO DIALOGUE
Panel 5.  Bumblebee takes a sharp turn.  We see him from another dramatic angle.  His tail spins out, just enough to continue looking super-cool.  Once again, his roof is just out of frame.
NO DIALOGUE
Panel 6.  In the background, Sam stands at the front door of a house with his back to us.  He might have that squiggly line above his head, indicating exasperation that you might see in a Peanuts strip or anime/manga.  In the foreground, Bumblebee is parked in front of the house.  His roof is finally revealed: a pizza delivery sign sits atop it -- something clever, like "Haas Bros. Pizza"
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Literature
INSULT TO INJURY
Panel 1.  Scourge returns to the swamp where he and his squad of Predacons first encountered the Mutants.  He quietly surveys the area.
CAP:
Southwest:
SCOURGE:
No more Mutants?
CAP/SCOURGE:
"Relax.
Panel 2.  Scourge pulls Powerpinch from the muck.  Powerpinch is off-line and still missing his left leg.
CAP/SCOURGE:
"Parts of you are missing.
CAP/SCOURGE:
"I understand.
Panel 3.  Scourge transforms into beast mode and leaps with Powerpinch in tow.
CAP/SCOURGE:
"Imagine if you'd chosen a beast mode with actual pain receptors!"
Panel 4.  Powerpinch's eyes are in extreme close-up as he comes back on-line, groggily.
SCOURGE (OP):
Right now --
Panel 5.  Powerpinch shrieks in terror as he discovers that he is wet with a substance that is grotesquely dissolving his outer shell.
SCOURGE (OP):
-- you're bathed in a naturally-occurring organic chemical compound.
SCOURGE (OP):
Delightfully corrosive.
Panel 6.  Scourge tears a fistful of circuits from Powerp
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:iconthescarletmercenary:
TheScarletMercenary Featured By Owner Dec 3, 2012  Student Filmographer
Hello :)
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:iconshadowapook:
ShadowApook Featured By Owner Oct 14, 2012
Thanks for faving :)
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:iconkingoji:
Kingoji Featured By Owner Aug 19, 2012
You appear to have favourited everything I ever did. So thanks for that!
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:iconjediflaherty:
JediFlaherty Featured By Owner Aug 19, 2012
You did a lot of great stuff!
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:icondestron23:
Destron23 Featured By Owner Feb 3, 2012  Hobbyist General Artist
Just wanted to let you know, I featured one of your mosaics! :D [link]
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